![]() ![]() The Other Lamb focuses on Selah (Raffey Cassidy), the only daughter of one such wife, who died soon after childbirth. The Other Lamb, a 2019 film directed by Polish filmmaker Magorzata Szumowska, first introduces a group of young girls as they go about their daily chores, accompanied by haunting close-harmony. Praying to him, the girls listen to his lectures, and each evening he picks one of his “wives” to spend the night with. It stars Raffey Cassidy, Michiel Huisman and Denise Gough. As the story unfolds we meet The Shepherd (played by Michiel Huisman) who leads a self-sufficient community hidden in the woods, free from modern technology. The Other Lamb is a 2019 horror film directed by Magorzata Szumowska and written by C.S. ![]() McMullen and allows the viewer into the world of religious cults. The only man in the group, known only as “The Shepherd” (Michiel Huisman), is this cult’s mysterious leader. The Other Lamb comes from Polish director Malgorzata Szumowska from a screenplay by C.S. Though they live off the land and act as if living centuries ago, establishing shots show a modified camper van nearby, as well as a Barbie customized to wear the same dress the young girls wear, situating the film within a modern-day cult. The cult was all Selah knew-until one day she begins to question its leader and the insular world she was born into in this haunting vision of a nightmarish awakening. The Other Lamb, a 2019 film directed by Polish filmmaker Małgorzata Szumowska, first introduces a group of young girls as they go about their daily chores, accompanied by haunting close-harmony singing. ![]() The viewer’s fogginess only adds to the complexity. The Other Lamb does not spend a great deal of time on the belief system of this cult. But what the girls, their mothers, and their shepherd see is another mystery. This 2019 film uses surrealism to explore the inner life of a young woman raised in a cult, documenting her awakening in a slow-creeping fashion. Two young girls sit by a waterfall, staring intently. Huisman, no stranger to cult movies, is saddled with a fairly basic. But at their best, these stories communicate a powerful message. The Other Lamb, by contrast, is no horror movie despite its suggestive teases (and marketing), and it doesn’t need to be. Films that divert from standard filmmaking conventions, delivering abstract imagery and leaving their inner workings up to interpretation, can be extremely powerful - even if they risk alienating the viewer. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |